» Meet Our Team

Andrews, Debra
Arntzen, Arnt
Atyeo, Brian
Baron, Joan
Bennett,Linda
Benyei, Andrew
Bott, Nicholas
Brady, Lee
Brinton, Karol Dalyce
Burrow, John
Clifford, Neil
Darby, Darryl
Doruyter, Karel
Downs, Michael
Drouin, Jose
Duma, William
Dunlop, Les
Elder, Manon
Enns, Maureen
Evamy, Zoë
Forsythe, Graham
Foulger, Rick
Genn, Robert
Grisdale, Frank
Goerg, Richard
Gottselig Susan
Hayashi, Randy
Heath, Mel
Heine, Jerry
Helwig, Alice
Hinz, Roy
Heringer, Paul
Inuit Sculptures
Inuit Drawings & Prints
Jackson, John
Jenkins, Cathryn
Jenkins, Fran
Johnson, Gail
Jones, Linda
Kauppi, Linda
Lawrence, Peter
Laycock, Brent
Leman, Kellie
Li, Ken
Lightstone, Marilyn
Malin, Lynn
McCarthy, Doris
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Michael, Judy
Modlinski, Dominik
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Mravik, Richard
Norris, Destanne
O'Young, Kayo
Phelan, Jan
Posyniak, Teresa
Prouse, Rod
Reid, Jack
Reimer, Christine
Reilly-Roe, Alisha
Reynolds, Ursula
Ruby Radish
Schumm, Tim
Sinclair, Robert
Shaughnessy, Peter
Smith-Dixson, Kendra
Solar, Fran
Tch, Slava
Thierfelder, Vivian
Vest, Jim
Vandenbrink, Jake
Wacko, Wendy
Waidman, Allan
Way, Diane
Weir, Libby
Wilder, Linda
Wolcoski, Corrinne
Georgian Bay Retreat


   

Slava Tch

"To Fly Off"
40 x 58
Encaustic on Canvas

 

"The Mountains Way" - SOLD
44 x 44
Encaustic on Canvas

 

"Each New Sunset" - SOLD
5 x 5
Encaustic on Wood

 

"On the Lakes" - SOLD
5 x 7
Encaustic on Wood

 

Slava Tch

Viatcheslav Tchistiline, studied Fine Art at Kharkov State University.  As well, he studied Painting, Decorative Art and Interior Design at Kharkov Artistic-Industrial Institute, Ukraine.  Slava painted with oil on canvas in realistic manner.  He was also engaged in monumental murals and teaching.  Slava went to Europe, France, Germany and Holland, to study Dutch painting.  He had a lot of exhibitions in Europe.  His realistic paintings are in many collections in Germany and France.  With his arrival to Canada, he studied encaustic media, which is very old, traditionally taking its roots in Egypt and Byzantine.  Slava's paintings in this media proved to be of great interest to collectors, art dealers and public on international market.   


 The "classic" or "basic" encaustic method is very old, traditionally taking it’s roots in Europe and is a very complicated and difficult procedure. The right time management and precise accuracy in detailed work are keys to a successful art piece. Artists usually use paper, canvas, or cardboard to paint on and must prepare the surface beforehand. Application of dry pigment, hot beeswax and paint takes place next. The artist spends a considerable amount of time developing the right colour and achieving the theme of the art work. Currently, a lot of artists are working in encaustic technique but each artist is unique. In result the finished art work is not the subject of the technique but is based on the artist’s experience, world and colour perspective. An artist puts a part of his sole in the picture, spirit of time and depending on his/her talent the picture generates you by its colour saturation, dynamics and energy of the painter’s spirit.

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