Angus, Jennifer
Atyeo, Brian
Arntzen, Arnt
Baron, Joan
Bennett,Linda
Benyei, Andrew
Bott, Nicholas
Bradford, Kate
Brady, Lee
Brinton, Karol Dalyce
Crighton, Lucille
Darby, Darryl
Doruyter, Karel
Downs, Michael
Drouin, Jose
Duma, William
Dunlop, Les
Enns, Maureen
Genn, Robert
Griffiths, Ted
Grisdale, Frank
Goerg, Richard
Gottselig Susan
Haire, Joe
Heath, Mel
Heine, Jerry
Helwig, Alice
Hinz, Roy
Jackson, John
Jacobsen, Franziska
Jenkins, Cathryn
Jenkins, Fran
Johnson, Gail
Kauppi, Linda
Laycock, Brent
Lawrence Peter
Leman Kellie
Malin, Lynn
Mravik, Richard
McCarthy, Doris
McKay, Peter & Melody
Michael, Judy
Moors-Hanrahan, Kathleen
Montpetit, David
Nellemann, Margit
O'Young, Kayo

Ostoich, Dianne

Phelan, Jan
Poitras, Jane Ash
Posyniak, Teresa
Prouse, Rod
Reid, Jack
Reilly-Roe, Alisha
Reynolds, Ursula
Robertson, Janice
Ruby Radish
Schumm, Tim
Selfridge, Carol and Richard
Sinclair, Robert
Shaughnessy, Peter
Solar, Fran
Stein Janet
Toti
Thierfelder, Vivian
Vest, Jim
Vandenbrink, Jake
Wacko, Wendy
Waidman, Allan
Waterbeek, Annette
Way, Diane
Wylie, Alan



 

 

CATHRYN JENKINS

"Bear, Climbing"
40 x 36 x 20

 

"Bear, Large Climbing Up"
30 x 32

 

"Bear, Walking"
18 x 36 x 17

 

"Bear, Climbing"
25 x 26 x 16

 

"Cub, Where’s My Mother"
19 x 30 x 17

 

"Curious Bear" - SOLD
30 x 34

 


"Bear, Large Climbing"
41 x 46 x 35

 

"Bear, Large Climbing"
50 x 50 x 30

 

"Bear, Large Walking"
50 x 33 x 25

 

"Marauder"
50 x 35

 

"Mother and Children"

 

"Bear, Small Climbing" - SOLD
19.5 x 21 x 7

 

"Bear, Small Climbing"
23 x 21 x 15

 

"Bear, Small Climbing"
23 x 24 x 13

 

"Bear, Small Walking"
43 x 26 x 17

 

"Tina"
52 x 50 x 27

 

"Bear, Walking"
18 x 25 x 15

As the daughter of prominent Canadian sculptor, Fran Jenkins, Cathryn spent many hours in her mother’s studio learning about the qualities of different stone and the relationship between artist and medium while gaining an understanding of line, form and the joy of sculpture.
Her own stylized representational forms, influenced by her mother as well as Inuit and American sculptors, combine the pleasure of touch and the appeal of strong line. The skillful union of these key elements, consistently present in all of Cathryn’s work, allows the creation of unmatched, timeless works of art.

The stone selected for Cathryn’s works is hand quarried in British Columbia. Marble, alabaster, serpentine and soapstone have individual qualities unveiled by hammer and chisel, diamond blades, rasps, files and the artist’s eye to reveal flowing agility, powerful line and lustrous natural surface. The work is to be touched. It’s tactile appeal becomes a part of the living area for which it is created. Her sculpture becomes an integral part of it’s space; a familiar presence to which an understanding and relationship soon develops.

Cathryn’s series of sought after wildlife sculptures continue to hold places of pride among many private and corporate collections.


Serpentine Stone
A deposit of this very unusual stone in central British Columbia provides an excellent medium for sculpting. Millions of years ago deep in the earth, a mass of peridotite metatmorphasized into black and blue-grey serpentine with a very high content of iron-carbonate. Hot fluids invaded the iron-carbonate serpentine partially altering it to a golden brown iron rich marble - anchorite with chorite and talc as the main accessory minerals. Some of the serpentine was left unchanged. All of this resulted in stone of black, blue-grey, gold and splashes of green; sometimes all in the same piece.


Selected Corporate Collections
BC Gas
Midland Walsyn
Sea Trade Shipping
KF Evans Ltd.
Norsat International Inc.
BC Trade and Development Corporation



Selected Gallery Exhibits

Center Street Gallery, Jackson Hole, WY
Whistler Village Art Gallery, Whistler, BC
Scott Gallery, Edmonton, AB
Winchester Gallery, Victoria, BC
The Gallery at Jasper Park Lodge, Jasper, AB

 

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